sarahjahangir
I direct AI commercials and cinematic brand films for brands that need production-grade work without a production crew. Fifteen years as a creative director and designer taught me to find a brand's personality first. Everything after that is execution.
the
work
Pick a lane and the gallery changes. Open any piece to go inside it: the brief, how I thought about it, and the frames, boards and passes that got it there.
the tool stack
Everything I actually work in. Fifteen years of Adobe underneath, the current AI stack on top.
Adobe Creative Suite
- Photoshop
- Illustrator
- InDesign
- Adobe Express
- Adobe Firefly
- Premiere Pro
Design & Web
- Figma
- Canva
- Wix Studio (Legend Partner)
- Wix Vibe
- Typography & layout systems
- Brand guideline builds
AI Video & Motion
- Kling AI (Elite Creator)
- Higgsfield
- Pixverse (CPP)
- Veo 3
- Seedance / Dreamina
- OpenArt
AI Image & Design
- Midjourney
- ImagineArt (Creator)
- Nano Banana Pro
- ChatGPT / DALL·E
- Gemini / Imagen
- Magnific upscaling
Audio & Edit
- ElevenLabs
- Suno
- CapCut
- Voice direction & dubbing
- Sound design
Craft & Method
- Concept development
- Storyboarding & style frames
- Prompt engineering
- Creative direction
- Brand safety & product accuracy
- Copywriting
all the parts
of one person
Four parts, one working method. Copywriting is where everything starts, because every film and every design begins as an idea. Design is the eye: what looks good, what flows, what holds attention on a screen. Generative AI is the craft of getting that out of my head and onto it, writing the prompt, the scene, the character, until the thing I imagined is really there. And running an animal shelter alongside all of it is why I do my best work under pressure, inside a system, with anything that can be automated already automated.
thecreative director
Fifteen years of brand identity, visual systems, packaging and Wix Legend Partner websites for nonprofits, women founders and small businesses across four continents.
theAI filmmaker
Commercials, brand films, hypermotion and product work, delivered end to end by one person and delivered fast. Everything is storyboarded and shot-listed before a frame gets made, which is what keeps a film consistent from first shot to last. Kling Elite Creator, and on the Pixverse and ImagineArt creator programmes.
theanimal rescuer
When I am not making films or designs, I rescue animals. It teaches you to work out what something needs before it can tell you, which is most of the job when a brand hands you a brief.
thecopywriter
Every film and every design starts as an idea, usually as a sentence. That comes from years of writing copy, and it is the reason the work tells a story rather than just looking like one, whether it is for a brand or a cause.
who
I am
The short version: I make things, I move fast, and I refuse to let the craft slip while doing it.
A multidisciplinary creative director, designer and AI-native motion maker with fifteen years of turning ideas into work that actually ships.
I started in traditional advertising at a top agency, where I learned what great creative actually looks like, and I've spent the years since running my own studio and pushing hard into AI-powered production. I lead through making: I concept, art direct, prompt, animate and deliver.
The backbone of all of it is a design practice I founded in 2009 and have run ever since. Fifteen years of brand identity, visual systems, packaging, print, social and web design for clients across Pakistan, the US, the UK and Canada, with a deliberate focus on nonprofits, women entrepreneurs and social-impact organisations. I'm a Wix Legend Partner, the highest tier of Wix Studio certification, which means I get trusted with the complicated commercial builds.
Through DreamLabs AI Studio I develop motion concepts, style frames, product animations and short-form brand films. I use Kling, Higgsfield, Pixverse, Midjourney and ImagineArt the way a traditional creative director uses After Effects and a camera crew, to execute a vision with precision and taste.
Outside the studio I direct storytelling for CDRS Benji, Pakistan's largest animal shelter, and make Rescue Buddies, original AI-animated shorts about kindness and empathy. That work isn't a side note. It's the reason the rest of it matters.
recognition
Programmes, partnerships and the certifications that let me get my hands on the good tools early.
certifications
Earned, not collected. The AI ones are recent because the tools are recent.
the
résumé
Fifteen years, compressed. The full PDF has every certification, client and campaign.
founder & creative director
Motion concepts, style frames, product animations and short-form brand films for small businesses and underserved brands, with AI as the primary production layer. Art direct from brief to final delivery.
director of branding & social media
All visual creative and content output for one of Pakistan's most active humanitarian organisations: disaster relief, healthcare, education and animal welfare, in Urdu and English.
director, CDRS Benji animal welfare project
Storytelling, visual content and awareness campaigns for Pakistan's largest animal shelter, covering 450+ rescued animals.
founder & creative director
Fifteen-year studio practice across brand identity, visual systems, graphic design, web design and campaign creative for clients in Pakistan, the US, UK and Canada. Wix Legend Partner.
creative lead & social media manager
Visual creative, campaign assets, motion content and digital storytelling for a US nonprofit empowering women and girls in tech.
founder & storyteller
Original AI-animated short-form content about kindness, empathy and animal welfare, from concept and storyboard through to final animation.
senior copywriter & concept writer
Cadbury, Colgate-Palmolive, DHL Import Express, UBL Insurers, KSE and JS Investments. Promoted from intern to copywriter in a month. This is where I learned how great advertising thinks.
sarah jahangir
AI Creative Director · Motion · Design · Visual Storytelling
Cyprus Int'l University
Turkish (elementary)
say
hello
Brief, collaboration, or a half-formed idea you need help shaping. All welcome, and I reply to everything.
hello@dreamlabsai.co
Or start here, and skip the back and forth.
The estimator gives you a real range in about a minute, with no email required to see it. The brief locks the direction, the spec and the approval points before any work starts. New to how this is priced? Read the questions people usually ask first.